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One reader of my Aquatica review a few weeks ago perceptively noted that it's hard to judge whether I was enthusiastic or not because they didn't know what else was in Orlando, or how I felt the new water park measured up to the existing offerings. Good point. Others wrote that they had no idea what Disney's water parks looked like, and could I provide a brief overview? I'm amenable to a column that details all the parks.

However, I have a roadblock right away in the road to fixing this problem: I haven't been to Universal's Wet and Wild. Oh, clearly I've been to *a* Wet and Wild park at some point in the past (it was the Las Vegas one, which closed in 2004), so I have a tiny bit to fall back on. And clearly, I can see at least some of the Orlando Wet and Wild just by virtue of driving past it on International Drive. The fences are short and see-through, and the rides are tall and not hidden, so this is a given. And clearly, I can head to the Universal website like anyone else and look at pictures, and read about the rides.

Judging by my past experience, my drive-by view of Universal, and the website visit, I can only assume this is a fairly typical water park. The rides are unthemed as anything other than giant waterslides. There appears to be a theme of sorts inside some of the rides; for instance, the Disco H2O ride promises lights, lasers, and disco balls. The Brain Wash ride may offer more conventional thrills, and despite the fun name of Bomb Bay, this drop out ride doesn't appear to eject you from a B52 bomber or any other themed building. In short, theming is minimal. The thrills I cannot judge from a distance. They may even be intense and rewarding. But the theming looks pretty standard, which is to say, not very involved.


You can't miss the name of the park, that's for sure.

Aquatica shares some features with Universal. The towers of staircases are large, ungainly, and unthemed. The tubes and flumes are brightly colored, which may inject some fun and playfulness into the day, but that's not to be confused with a theme.

One difference: Aquatica does have an overarching sense of place: it tries to be New Zealand, so stylized cartoony kiwis and similar creatures are used on the signage, and voice-overs have that down under accent.

And Aquatica does have those animal exhibits (really too few for a typical Busch park) and it does have some landscaping (really too little landscaping for a typical Busch park).

But that still doesn't equal a theme. The rides still don't pretend to be anything other than slides. They don't have a raison d'etre (reason to exist) other than to be slides.

Why am I harping on this? Because Disney's parks do have that kind of theming. The slides do have a reason to exist other than to just be slides. The Disney water parks, in many ways, embody that over-hackneyed phrase "The Disney Difference." They really do stretch the imagination and have enough hidden details that the viewer may start to feel immersed, as if he is somewhere else at the moment.

I've called this the Immersion Toward Interesting Illusion before, the subtle accumulation of hundreds or thousands of tiny atmospheric details which together imply a false reality convincing enough to let the viewer indulge the fantasy. It's not just "immersion"; an important part of the equation is that the immersion happen toward an "interesting" illusion. What's interesting about slides built so we can slide down them?

Disney designers did something similar to the usual water park with River Country. This original park was attached to Fort Wilderness and had the typical exposed bodyslides simply built on wooden struts. The minimal theme was that of a backwoods country swimmin' hole, so things were supposed to look a little cobbled together and not be too fancy. After the two big ticket water parks opened, with much more elaborate theme, water slide systems, and soaring budgets to match, River Country simply closed down. It remains off to one side of Bay Lake, forgotten and rotting in the sun. A fence prevents curious visitors from getting too much of a look, though now and again an enterprising soul has made it back there and posts photos for the world to see.

Typhoon Lagoon, which opened in 1989, boldly charted a new course. It would not be enough to simply have the slides lying around as if they were built for people to slide on. Nor would the towers be out there for all to see. Instead, the whole park depended on a backstory, a theme to explain its existence. The idea was that this tropical beach resort, a lagoon, was an idyllic place to visit and get a good suntan… until a typhoon came by and blew everything sideways, over, and upside down. Runoff from the storm down slight mountainsides created the occasion for the slides.


See that leak in the middle of the dam? It's unnecessary theming! How awesome!

The theme does get a touch thinner for Crush 'n Gusher, a new attraction built in 2005. This Master Blaster is like a water coaster, and it does have exposed tubes that violate a bit of the way things were done before. Ostensibly, the tubes and the building were part of a fruit-packing operation before, and there is a blown-over truck with fruit crates lying around as proof, so at least the attempt is there to theme it.


The Master Blaster at Typhoon Lagoon creates some 'bare coaster' look to the place.

But this aberration aside, the theme is consistently applied around the park, and with some great results. The weenie at the middle is a boat, stranded high and dry by winds and high water, atop a gushing geyser that provides needed kinetics and orientation.


Every park needs a weenie.

The snorkel-with-sharks exhibit (yep, for real, and it's included in the price of admission) includes an upside down keel of a ship that doubles as an underwater viewing platform.

Shark reef is free (above). And you can view the marine
life underwater (below) without getting wet, if you want.

The shacks for shops and food are leaning to the side, as if blown over by hard winds.


The eatery is called Leaning Palms.

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© 2008 Kevin Yee

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